The short-lived Buick Reatta two-seater may seem like the most innocuous of cars (indeed, that was part of its problem). Behind the Reatta’s placid exterior, however, lay a ferocious internal battle that also gave birth to the Cadillac Allanté, ended the four-decade dominance of the once-mighty GM Design Staff — and set the stage for the decline of GM itself.
Conceived in a farmhouse and inspired by a World War Two fighter plane, Cadillac’s famous tailfins are still virtually synonymous with the brand. This week, we look at the 1948-1949 Cadillac and the birth of the tailfin.
Unlike its Mercury division, Ford Motor Company’s Lincoln brand was originally a separate company, founded in 1917 by Henry Martyn Leland, the founder of Cadillac. Henry Leland was one of the best and most respected engineers of the early auto industry, an expert in mass production and precision manufacturing. His life, however, is a tragic tale of broken promises and dashed hopes, the story of a great man brought down by the pettiness and venality of a new era that no longer had any place for great men. This week, we look at the career of Henry Leland, founder of Cadillac and Lincoln.
If any car deserves to be called the archetypal sixties American automobile, it’s the Chevrolet Impala. In 1965, the peak of its popularity, one in every nine new cars sold in the United States was an Impala. If we add the sales of the mechanically identical Biscayne and Bel Air models, full-size Chevrolets accounted for more than 15% of the U.S. market. By comparison, the best-selling car in the U.S. in 2008, the Toyota Camry, accounted for only about 3%. In today’s fragmentary market, the sheer ubiquity the big Chevys once enjoyed is difficult to grasp. Let’s take a closer look at the 1965-1970 Chevrolet Impala, the most average of average American cars.
We said in the conclusion of our article on the multicylinder Cadillacs that the era of custom bodywork was fading away by 1940, but that wasn’t exactly true. The era of bespoke bodies for elite luxury cars was ending, but a new age of customized cars was only beginning. By the mid-1950s, the trend had spread back to Detroit, leading to a curious array of “factory customs” like this one: the 1953-1954 Buick Skylark.
As we saw in our first installment, in January 1930, a few weeks after the stock market crash of October 1929, Cadillac introduced its fabulous V-16. After a few months of strong sales, its popularity suddenly dipped sharply. The cause was not yet the economic crisis, but the introduction of a new internal rival, the Cadillac V-12. This week, the story of the 1931-1937 Cadillac V-12 and the 1938-1940 Cadillac V-16.
The 1920s were a time of unprecedented prosperity in the United States, with fortunes made practically overnight by means both legitimate and otherwise. By the end of the decade, many automakers were preparing a new breed of ultra-luxury cars aimed at that rich new market — not realizing that the Great Depression was about to bring the party to screeching halt. This week, we examine one of the most famous of those elite cars: the 1930-1937 Cadillac V-16.
It will not have escaped even the casual observer that the companies formerly known as the Big Three automakers — GM, Ford, and Chrysler — are in bad, bad shape. GM lost $37 billion in 2007. Ford’s operating losses were $2.7 billion overall, but they lost $5 billion on their automotive operations. Chrysler, which is now owned by Cerberus Capital Management, is not obliged to share their annual results (not being publicly held), but they aren’t doing a lot better. As of this writing, the three companies are asking for at least $34 billion in federally guaranteed loans, a new bailout. In this last installment of our series, we weigh in on the state of Detroit.
In the mid-1950s, American automakers were engaged in a ferocious horsepower race. By the time the battle reached a temporary ceasefire at decade’s end, the average power of the typical passenger car had (at least on paper) more than doubled. The starting gun of that race was sounded by Oldsmobile, with its advanced new overhead-valve V8 and the new mid-size model that shared its name: the 1949-1950 Oldsmobile Rocket 88.
We recently happened upon a pair of nicely restored, early-sixties Oldsmobile hardtops. Oldsmobiles of this vintage aren’t necessarily rare or unusual, but what intrigued us was the fact that one was a 1960 and the other a 1961, giving us a rare opportunity to compare the 1960 and 1961 Oldsmobile years side by side and to consider that long-standing automotive custom, the annual model change.
Even if you know nothing about cars and your only exposure to American automobiles is TV and movies, you probably recognize this shape. It’s been featured on everything from T-shirts to postage stamps, a quintessential icon of Fifties Americana in all its grandeur and absurdity. It is, of course, the 1959 Cadillac.
The ’59 Cadillac emerged from a seismic shift at General Motors and marked the transition between two very different eras in automotive design. This week, we look at the history of the 1959 cars and the final days of legendary design chief Harley Earl.
Thirty years ago, the watchword of the auto industry was downsizing. Driven by high oil prices and ever-increasing emission standards, American automakers were forced to dramatically reduce the size and weight of their cars. Today, with spiraling oil prices and concerns about global warming, a new wave of downsizing can’t be far off. However, downsizing can be risky. Customers have been indoctrinated for decades in the idea that bigger is better, and you have to be careful that smaller size isn’t perceived as poorer value. Do it wrong, and you can end up with a sales disaster that could put you out of business. This week, we take a look at an early example of downsizing that succeeded. This is the history of the 1969 Pontiac Grand Prix