Another term we have thrown around a lot that bears some explanation is Hotchkiss drive. This is a suspension layout very common on front-engine/rear-drive cars and trucks from the 1920s until the late 1970s and still used on many pick-up trucks and SUVs. Click here to read more about it.
Many of our articles are inspired by the cars we spot in and around Los Angeles. Your author has encountered cars as diverse as a Bugatti Veyron, a Jaguar XJ12C, and a Fiat Multipla — not at car shows or museums, but parked on the street or driving in traffic. Every so often, we run across something exotic enough that even we can’t immediately identify it — something like this Autobianchi A112 Abarth.
Conceived in a farmhouse and inspired by a World War Two fighter plane, Cadillac’s famous tailfins are still virtually synonymous with the brand. This week, we look at the 1948-1949 Cadillac and the birth of the tailfin.
In some of our past and upcoming articles, we’ve been throwing around the word homologation, and it occurs that we should pause to explain what it means.
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Although Lincoln’s earliest cars were dismissed as homely, in the decades to come, it would spawn some of the most respected and memorable designs in the automotive industry. This week, we take a look at one of Lincoln’s finest stylistic achievements, the elegant and understated 1961-1963 Lincoln Continental.
Unlike its Mercury division, Ford Motor Company’s Lincoln brand was originally a separate company, founded in 1917 by Henry Martyn Leland, the founder of Cadillac. Henry Leland was one of the best and most respected engineers of the early auto industry, an expert in mass production and precision manufacturing. His life, however, is a tragic tale of broken promises and dashed hopes, the story of a great man brought down by the pettiness and venality of a new era that no longer had any place for great men. This week, we look at the career of Henry Leland, founder of Cadillac and Lincoln.
The Karmann Ghia, the most glamorous of Volkswagens, is an automotive drag queen: a rugged and humble economy-car chassis dressed up in the finest haute couture. It is also a car of many nations: engineered and built in Germany, designed in Italy … and styled in Detroit? Read on…
If any car deserves to be called the archetypal sixties American automobile, it’s the Chevrolet Impala. In 1965, the peak of its popularity, one in every nine new cars sold in the United States was an Impala. If we add the sales of the mechanically identical Biscayne and Bel Air models, full-size Chevrolets accounted for more than 15% of the U.S. market. By comparison, the best-selling car in the U.S. in 2008, the Toyota Camry, accounted for only about 3%. In today’s fragmentary market, the sheer ubiquity the big Chevys once enjoyed is difficult to grasp. Let’s take a closer look at the 1965-1970 Chevrolet Impala, the most average of average American cars.
Diminutive size, clown-car looks, and Fifties-style two-tone paint — it could only be the Nash Metropolitan. Designed in Wisconsin and built in England, the “Met” was one of America’s first subcompact cars. More than that, it helped to make the career of a former Mormon missionary named George Romney and to transform Nash Motors into the American Motors Corporation (AMC).
For all Mercedes’ reputation for engineering perfectionism and its storied racing heritage, the real appeal of the three-pointed star — immortalized in song by Janis Joplin and many others — has always been snob appeal, a cachet to match all but the most elite luxury cars. Not all Benzs are created equal, however, and few are quite as exclusive or as snobby as the big coupes and cabriolets. This week, we look at the 1963-1971 Mercedes W111 and W112 S-Class coupes and cabriolet.
Making cars smaller (downsizing) can pay huge dividends in improved performance, better fuel economy, and lower emissions — but if the public doesn’t accept it, it can cost you dearly. To understand why Detroit has always been afraid of smaller cars, we need look no further than Chrysler’s ill-fated 1962 Dodge and Plymouth — Detroit’s first downsizing disaster (albeit one with an unexpected silver lining.
We said in the conclusion of our article on the multicylinder Cadillacs that the era of custom bodywork was fading away by 1940, but that wasn’t exactly true. The era of bespoke bodies for elite luxury cars was ending, but a new age of customized cars was only beginning. By the mid-1950s, the trend had spread back to Detroit, leading to a curious array of “factory customs” like this one: the 1953-1954 Buick Skylark.